people speak about 'important' albums all the time, but rarely is it so apparent that person behind them is following their own, chosen path - flying lotus is one of those precious few artists. the most powerful aspect of flylo's output has always been it's ability to communicate his boundless love and enthusiasm for music in all it's forms and that is what is boldly on display here. all this name-dropping, however, is not to detract from the genius of the wizard-like figure behind it all. certainly these are further reaches into a musical space that flying lotus had hitherto been exploring, however other collaborators such as erykah badu and outkast string arranger miguel atwood-ferguson and guest vocalists thom yorke and a returning laura darlington (featured on 'los angeles' epic closing track 'inifinitum') help deliver 'cosmogramma' to dizzying new heights. the spirit of his famed aunt, alice coltrane permeates the record, notably in the powerful collaborations with relative ravi coltrane, bass virtuoso thundercat and the brilliant harp prodigy, rebekah raff. seamless in execution and too wide in scope to properly describe, it is the authentic embodiment of his unique musical heritage. not only has an entirely new range of sounds been unlocked by our intrepid astral traveler, but every genre touchstone associated with his name has been merged into a self-described 'space opera'. as you may deduce from the title of his latest opus, he's done just that. while that album was an introspective, moody travelogue through the californian metropolis, it certainly hinted at flying lotus' inclination to expand his sound beyond terrestrial means. looking back, his full-length warp debut, 'los angeles' appears to be much more of a mission statement than a simple introduction - laying the foundation for a field on which an entire generation of artists would soon be playing.

in the past couple of years, flying lotus has grown into the position of being far more than a producer, he has helped materialize a far-reaching strain of musical ideology that has encompassed not only a global family of like-minded artists, but also a nearly infinite palate of planetary (and interplanetary) sonics. when global bass music matriarch mary anne hobbs recently told the fader 'flying lotus, for me, is like the hendrix of his generation' it seemed more then an audacious opinion, and with the arrival of 'cosmogramma', it's revealed as a revelation. Flying lotus returns with his glorious space opera for warp - 'cosmogramma'.

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